San Francisco Events, Coming Up!

I have a couple of appearances in San Francisco in early April–both in wonderful venues.

  • On April 6th, I will be signing at Borderlands Books from 6pm-7pm. This is exciting not only for a chance to meet readers, but also because Borderlands is one of my top three favorite bookstores in the world. (Yes, I have a list!)
  • On April 8th, I will be reading at Charlie Jane Anders’s Writers With Drinks, which is by all accounts an amazing time…and which has a truly jaw-dropping line-up that includes Peter Beagle and Hari Kunzru. Check it out! RSVP!

Publication Date for “Fire Dance”

Fire Dance, the sequel to Last Song Before Night, will be a spring baby. That is, it is coming out in April 2018, as confirmed by my editor.

It is purely coincidence that the book is set at that time of the year. But a fun one.

I’m now hard at work on the as-yet-untitled third book. Fire Dance has an ending that I hope will tide readers over until the third book, with its major emotional arcs resolved. But I’m doing my best to get the final book of the series done.

Trade Paperback Release of Last Song Before Night, and Two Interviews!

A month ago, some events of significance occurred in the US, where I live. This made it a strange time to promote the release of the paperback edition of Last Song Before Night, which came out on November 8th–Election Day.

Now that it’s a month later it feels appropriate to talk about something other than the cataclysmic events of November 8th. The trade paperback is not only out–it is beautiful, with the same cover art by artist Stephan Martiniere, but deeper colors. (And quite a nice cover quote from NPR.)

To honor the occasion of its release, I was interviewed by Aidan Moher at Barnes & Noble, and Mihir Wanchoo at Fantasy Book Critic. We talked about writing, character development, worldbuilding, and the upcoming sequel, Fire Dance.

Barnes & Noble Interview – Ilana C. Myer

Fantasy Book Critic Interview – Ilana C. Myer

Times of Israel Interview

I lived in Jerusalem through my teens and for the latter half of my twenties, when I worked as a journalist. Almost the entirety of Last Song Before Night was written in Jerusalem, and the city found its way into the atmosphere of Tamryllin. So I’m especially pleased to have been interviewed for The Times of Israel, where editor Amanda Borschel-Dan delves into the roots of the novel.

There’s something special about being from such a warm community as that of the English-speakers in Jerusalem. They saw me hard at work on the book for years, in cafes all over the city. The outpouring of support since the book came out has been tremendous. When we visit family in Israel–hopefully soon–I expect to be signing quite a few books.

Special Delivery: Sequel to Last Song Before Night

In November 2013 I was in Paris, a brief stopover on the way to visiting family. I had a plan: I would begin my next novel, the sequel to Last Song Before Night, in a cafe there. A lot of trepidation had led up to this moment–putting aside all the research I’d done, including a visit to the Louvre’s exhibition on Islamic art–and making a start of the story. The best way to overcome that trepidation, I thought, was by means of a psychological trick. I thought: “Even if the first pages are bad, they’ll at least have been written in a cafe in Paris!”

So on a cold autumn day I took advantage of the generosity of a cafe on Rue Cler, where they didn’t mind my staying from morning until evening–or at least, didn’t show it if they did. The scribbled ideas in my notebooks, with their asterisks and exclamation points and underlining and question marks…these began to take shape as fiction. Which is, I believe, the most naked and uncompromising form there is. (Hence, the trepidation.)

That was 2013. While the novel I handed in to my editor a few days ago bears little resemblance to the story I began in Paris that day, the heart of the novel remains the same. One scene–a fateful one–that I wrote in Cafe Eclair on Rue Cler remains in the final draft. I am glad some part of that day–a cherished memory–is preserved in the book.

This next book required a great deal of research because I was determined not to do the same thing, or even a similar thing, again. I wanted to expand the frontiers of the world in Last Song Before Night, in all ways–in terms of geography, societies, magic, and cast of characters. Most important was to do justice to the character arcs of the first book. No matter how far afield we might go into enchantments and epic battles in fantasy, the human heart is–it seems to me–where it all ends up, and must begin.

No idea of a release date yet. Revisions, copyediting, and proofreading are still ahead. This post is just to mark the occasion: a work of nearly three years is done.

New Milestone: First Foreign Rights Deal!

I’ve been keeping this under my hat for awhile. Very excited to announce that Japanese rights to Last Song Before Night have sold to Tokyo Sogensha. Other authors on their roster include Diana Wynne Jones, Patricia McKillip, and Cassandra Clare.

Obviously, we’ll be going out for sushi to celebrate!

Upcoming: Queens Library Event

On March 8th, Queens Library is hosting an event with me and authors Alex Shvartsman and Rob Dircks, in a restaurant in Long Island City. Details are here.

It’s safe to say that I owe nearly everything to the Queens Library, the public library system with which I grew up. Until the age of 12, this library system nurtured my love of reading. After the age of 12, I no longer had access to a library and in some ways, I’m still working to make up for the lost years. There is simply no way to overestimate the value of a library system to a community and in the lives of emerging readers. For the gift of childhood access to books, I’ll always be grateful to the Queens Library, and that gives this event a significance beyond the ordinary.

 

Campbell Award Eligibility

Last Song Before Night, which came out in 2015, was my first fiction publication. I had no short stories or even poetry published prior to that, mostly because I tend to write short fiction on average every 10 years. Anyway, this means I’m eligible for the Campbell Award for Best New Writer. I would be appreciative of your consideration.

I am not against self-promotion (obviously), but awards are a gray area and I feel odd about campaigning for them, for my own personal reasons (which probably have nothing to do with the reasons that might come to mind–I don’t think it’s bragging, I’m not shy because I’m a woman, I don’t judge other writers for campaigning because they are not me, etc.). There are several awards coming up and I won’t be discussing them here. But because the window of eligibility for the Campbell is narrow (two years), I thought I’d make an exception this time.

I am grateful that while my book didn’t come out with a big bang, readers are gradually discovering it and finding that it resonates–sometimes even in the ways I’d hoped. If you are one of those readers, your support is appreciated.